
The Camelot wheel is a DJ-friendly map of musical keys: every key gets a short code like 8A or 5B, and tracks whose codes sit next to each other mix without clashing. It takes harmonic mixing — matching songs by key so their basslines and melodies don't fight — and turns it into simple number-matching. Match the codes and the blend stays smooth.

The Camelot wheel (also called the Camelot key system, popularized by Mixed In Key) is a circle of 24 segments. The outer ring holds the 12 major keys, the inner ring holds the 12 minor keys, and each segment is numbered 1 to 12 like a clock face. A key's position becomes a code: a number plus a letter, where B = major and . C major is ; its relative minor, A minor, sits directly inside it at .
8B8AThe point is to remove music theory from the decision. You don't need to know that D minor and A minor are a fifth apart — you just see that 7A and 8A are neighbours on the wheel, and neighbours mix cleanly. The codes do the theory for you.
Every key maps to exactly one code. Here is the full set — find your track's key in the table, and its Camelot code is what you match against everything else:
| Camelot (A) | Minor key | Camelot (B) | Major key |
|---|---|---|---|
| 1A | G♯ / A♭ minor | 1B | B major |
| 2A | E♭ minor | 2B | F♯ major |
| 3A | B♭ minor | 3B | D♭ major |
| 4A | F minor | 4B | A♭ major |
| 5A | C minor | 5B | E♭ major |
| 6A | G minor | 6B | B♭ major |
| 7A | D minor | 7B | F major |
| 8A | A minor | 8B | C major |
| 9A | E minor | 9B | G major |
| 10A | B minor | 10B | D major |
| 11A | F♯ minor | 11B | A major |
| 12A | C♯ minor | 12B | E major |
To find a track's code, you need its musical key first. If you don't know it, detect it and convert:
Three moves cover almost every compatible transition. Starting from any code — say 8A (A minor):
8A → 8A): identical key. Always blends — the safest mix there is.8A → 7A or 9A): a step around the wheel, a perfect fourth or fifth away. This is the smoothest harmonic mix and the one you'll use most.8A → 8B): the relative major or minor. Stays in key but flips the mood from dark to bright (or back).That's the whole foundation: stay put, step one, or flip the letter. Anything inside those moves will sound intentional. The interactive wheel below highlights the compatible codes for any starting key:
Once the basic moves are automatic, you can use the wheel to shape energy, not just avoid clashes. Each direction has a feel. Here's how the common moves play out from 8A:
| Move | Code | Resulting key | Effect |
|---|---|---|---|
| Same key | 8A | A minor | Safe blend, no energy change |
| −1 (same letter) | 7A | D minor | Smooth, slightly lower energy |
| +1 (same letter) | 9A | E minor | Smooth, slightly higher energy |
| Switch letter | 8B | C major | Same energy, brighter mood |
| +2 (same letter) | 10A | B minor | A deliberate energy lift |
| +7 (same letter) | 3A | B♭ minor | Big, dramatic key change — use sparingly |
The +2 jump (two steps clockwise, same letter) is the classic energy-raiser for building a set, and switching from A to B on the same number is the quickest way to turn a moody section bright without leaving the key.
Musicians already have a tool for this: the circle of fifths. The Camelot wheel is the circle of fifths, just relabeled. Moving one step clockwise on the Camelot wheel is the same as moving one perfect fifth around the circle of fifths — 8B (C) to 9B (G) to 10B (D), and so on. The only change is the labels: numbers and letters instead of key signatures and sharps. That swap is the whole value. You get the harmonic relationships without having to read music, which is exactly what you want with two decks running and thirty seconds to pick the next track.
Most DJ software (rekordbox, Serato, Traktor) and analysis tools like Mixed In Key will detect a track's key and tag it with its Camelot code automatically during import. If a track is untagged — a fresh bounce, a promo, your own edit — detect the key yourself and convert it with the table above, or let a tool do both. When your own mix or remix is finished, knowing its key is also what lets the next DJ mix cleanly out of it.
A circular map of all 24 musical keys, each given a code of a number (1–12) and a letter (A for minor, B for major). It lets DJs mix in key by matching codes instead of reading music theory.
Find each track's Camelot code, then mix into tracks with the same code, one number higher or lower with the same letter, or the same number with the other letter. Those moves are harmonically compatible.
Yes — it's the circle of fifths relabeled. One step around the Camelot wheel equals one perfect fifth, but with DJ-friendly number-and-letter codes instead of key signatures.
A key is compatible with itself, with its two neighbours of the same letter (±1 number), and with the same number of the opposite letter (its relative major or minor).
DJ software like rekordbox, Serato, or Mixed In Key tags it automatically. For untagged tracks, detect the musical key with a key finder and convert it to its Camelot code.